{"product_id":"robert-trewick-bone-1790-1840-lady-elizabeth-cecil-after-sir-anthony-van-dyck-signed-dated-1840","title":"Robert Trewick Bone (1790–1840) | Lady Elizabeth Cecil After Sir Anthony van Dyck | Signed \u0026 Dated 1840","description":"\u003cp\u003eA distinguished portrait by \u003cb\u003eRobert Trewick Bone (1790–1840)\u003c\/b\u003e, depicting \u003cb\u003eLady Elizabeth Cecil, Countess of Devonshire (1619–1689)\u003c\/b\u003e after the celebrated portrait composition associated with \u003cb\u003eSir Anthony van Dyck\u003c\/b\u003e. Signed and dated \u003cb\u003e1840\u003c\/b\u003e, this refined oil on canvas was executed during the final year of Bone’s life and reflects the nineteenth-century revival of Britain’s great aristocratic portrait tradition.\u003c\/p\u003e\n\u003cp\u003eLady Elizabeth Cecil, daughter of \u003cb\u003eWilliam Cecil, 2nd Earl of Salisbury\u003c\/b\u003e, married \u003cb\u003eWilliam Cavendish, 3rd Earl of Devonshire\u003c\/b\u003e, becoming one of the most recognizable female sitters associated with Van Dyck’s English period. Her likeness was admired for centuries, inspiring painted repetitions and engravings that helped preserve one of the master’s most enduring compositions. Related versions survive today in important British country house collections including \u003cb\u003ePetworth House\u003c\/b\u003e, \u003cb\u003eHardwick Hall\u003c\/b\u003e, and \u003cb\u003eBurghley House\u003c\/b\u003e, underscoring the lasting significance of the image.\u003c\/p\u003e\n\u003cp\u003eRobert Trewick Bone, son of the celebrated Royal Academician \u003cb\u003eHenry Bone, R.A.\u003c\/b\u003e, trained at the Royal Academy Schools and developed a distinguished career as a portrait and historical painter. Rather than producing a mechanical copy, Bone interpreted the composition with his own accomplished handling, preserving the luminous satin gown, rich crimson drapery, atmospheric landscape, and poised elegance that made the original so admired. Executed in 1840, this painting belongs to the closing chapter of the artist’s career.\u003c\/p\u003e\n\u003cp\u003eBeyond its artistic appeal, the portrait possesses an exceptional provenance. It descended through the collection of \u003cb\u003eThomas Howard Fitchett (1873–1953)\u003c\/b\u003e, a prominent Maryland industrialist and collector, remaining within the Fitchett family before passing to the \u003cb\u003eEstate of Anne Hopkins\u003c\/b\u003e, Bel Air, Maryland, from which it was acquired by Penumbra Antiques. The collection itself was recognized for its quality and included works attributed to major artists, reflecting generations of thoughtful collecting.\u003c\/p\u003e\n\u003cp\u003eExecuted with remarkable sensitivity, the portrait combines graceful aristocratic presence with refined academic technique. The delicate modeling of the sitter’s face, luminous handling of the silver satin, and harmonious balance between landscape and drapery create a work that possesses both decorative elegance and historical significance. It is equally suited for traditional interiors, English country house aesthetics, grand libraries, or thoughtfully curated collections of British portraiture.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDetail\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eArtist: Robert Trewick Bone (British, 1790–1840)\u003c\/li\u003e\n\u003cli\u003eTitle: \u003ci\u003eLady Elizabeth Cecil, Countess of Devonshire\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003eDate: Signed and dated 1840\u003c\/li\u003e\n\u003cli\u003eMedium: Oil on canvas\u003c\/li\u003e\n\u003cli\u003eSubject: Lady Elizabeth Cecil (1619–1689), after Sir Anthony van Dyck\u003c\/li\u003e\n\u003cli\u003eRoyal Academy-trained British artist\u003c\/li\u003e\n\u003cli\u003eExecuted during the artist’s final year\u003c\/li\u003e\n\u003cli\u003eRelated to the celebrated Van Dyck composition preserved at Petworth House\u003c\/li\u003e\n\u003cli\u003eComparable historic versions at Hardwick Hall and Burghley House\u003c\/li\u003e\n\u003cli\u003eDocumented provenance through Thomas Howard Fitchett (1873–1953)\u003c\/li\u003e\n\u003cli\u003eBy descent through the Fitchett family\u003c\/li\u003e\n\u003cli\u003eEstate of Anne Hopkins, Bel Air, Maryland\u003c\/li\u003e\n\u003cli\u003ePresented in an antique carved and giltwood frame\u003c\/li\u003e\n\u003cli\u003eIdeal for English country house, traditional, library, or refined interiors\u003c\/li\u003e\n\u003cli\u003eMeasurements: 23 × 19½ inches framed (17¾ × 14½ inches sight)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis remarkable portrait represents the enduring legacy of Sir Anthony van Dyck’s influence on British portraiture and the nineteenth-century academic tradition that sought to preserve it. Combining an identified Royal Academy-trained artist, an historically significant sitter, a distinguished multigenerational provenance, and extensive modern research, it stands as far more than a Victorian copy—it is a compelling work that bridges nearly four centuries of British artistic and collecting history.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCondition\u003c\/b\u003e is consistent with age and includes craquelure, minor surface wear, scattered paint losses, age-related varnish, and evidence of historic restoration. The antique giltwood frame displays age-appropriate wear, losses, and historic repairs consistent with its period. Please review all photographs carefully, as they form part of the description.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"gs\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"ii gt\" id=\":sp\"\u003e\n\u003cdiv class=\"a3s aiL\" id=\":pe\"\u003e\n\u003cdiv id=\"avWBGd-304\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003e\u003cb\u003eBinding Purchase \u0026amp; Condition Notice:\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003eThis item is antique\/vintage and sold \u003cb\u003eas-is\u003c\/b\u003e. Age-related wear, restoration, and imperfections are expected and form part of its character.\u003c\/p\u003e\n\u003cp\u003eAll descriptions and attributions are opinions and may differ among experts. Any appraisal or valuation references are provided for context only and are not guarantees of value.\u003c\/p\u003e\n\u003cp\u003eBy purchasing, you confirm that you have reviewed all images and information and are making an independent buying decision.\u003c\/p\u003e\n\u003cp\u003eAll sales are final. This transaction is binding, and you agree not to dispute the purchase or initiate a chargeback based on condition, attribution, or valuation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"adL\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"WhmR8e\" data-hash=\"0\" id=\"avWBGd-305\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eNote: \u003c\/strong\u003ePlease read our Policies located on the left bottom portion of our websites footer prior to purchase. Purchasing is an acknowledgment of our policies. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Penumbra Antiques","offers":[{"title":"1","offer_id":43122420678718,"sku":null,"price":4950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0650\/9815\/4046\/files\/DSC_02922_07f654e2-864f-4fc6-8852-f7a4df94707d.jpg?v=1785025659","url":"https:\/\/penumbraantiques.com\/products\/robert-trewick-bone-1790-1840-lady-elizabeth-cecil-after-sir-anthony-van-dyck-signed-dated-1840","provider":"Penumbra Antiques","version":"1.0","type":"link"}